Emil and the Detectives
Emil
and the Detectives (German: Emil und die
Detektive) is a 1929[1] novel for children set mainly in Berlin, by the German
writer Erich Kästner
and illustrated by Walter Trier.
It was Kästner's first major success, the only one of his pre-1945 works to
escape Nazi censorship, and remains his best-known work, and has been
translated into at least 59 languages. The most unusual aspect of the novel,
compared to existing children's literature at the time, was that it was
realistically set in a contemporary Berlin peopled with some fairly rough
characters, not in a sanitized fantasy world; also that it refrained from
obvious moralizing, letting the characters' deeds speak for themselves. Emil
was the name of Erich Kästner's father (Emil Kästner).
Plot summary
The
story begins in Neustadt, a provincial German town which is the home to young
schoolboy Emil Tischbein. His father is dead and his mother raises him alone
while working as a hairdresser. She sends Emil to Berlin with 140 marks (a hairdresser's monthly salary then) to give to his
grandmother and 20 marks for himself, sums that have taken some months to save
from her modest earnings. On the way he is very careful not to lose the money
and uses a needle to pin it to the lining of his jacket.
On
the train to Berlin, Emil meets a mysterious man who introduces himself as Max
Grundeis. This man gives Emil mysterious chocolate and Emil falls asleep. When
he wakes up, the money and Max Grundeis are gone. Emil gets off the train in a
different part of Berlin from where he intended. When he spots Max Grundeis, he
follows him. Emil dares not call the police since the local policeman in
Neustadt had seen him paint the nose of a local monument red, so he feels that
he is "a kind of criminal" himself. However, a local boy named Gustav
offers to help. Gustav assembles 24 local children who call themselves
"the detectives".
After
following Grundeis to a hotel and spying on him all night, Emil and the gang
follow the thief to a bank, where he wants to exchange the money for smaller
bills. One of the boy detectives follows him into the bank and tells the bank
teller that the money is stolen. Emil comes in and tries to tell the bank
teller his story. He proves that the money is his by describing the holes left
by the needle he used to pin the bills in the lining of his jacket.
Herr
Grundeis tries to run away, but Emil's new friends cling onto him until a
police officer, alerted by Emil's cousin Pony Hütchen, arrives. Once arrested,
Herr Grundeis is found out to be a member of a gang of bank robbers. Emil
receives a bounty of 1000 marks for capturing Herr Grundeis. After everything
is straightened out, Emil's grandmother says that the moral of the story is:
"Never send cash – always use postal
service."
Sequel
In
the 1934 sequel Emil
and the Three Twins [de],
Emil and the other characters have various amusing adventures on the Baltic shore, two years after the Berlin events of the original
book. It is partly based on Kästner's own experience of an idyllic holiday in
the same location during the summer of 1914, cut short by the outbreak of World
War I, and described poignantly in his
autobiography, "When I was a Little Boy".
The
second book did not become as well known as the first, in large measure due to
its writing being shortly followed by the rise of the Nazis to power, when publication of Kästner's books in Germany
was forbidden and existing books were subject to Nazi book burnings
(the first Emil book was considered too popular and too harmless, thus escaping
the ban).
Adaptations
Main article: Emil and the
Detectives (film)
The
story has been filmed several times. An early German version from
1931 featured a screenplay by the young Billy
Wilder, with uncredited writing work by Emeric Pressburger
and starring Rolf Wenkhaus
as Emil. The film proved to be a commercial success and is widely considered to
be the best film adaption.[2] There were subsequent versions filmed in 1935 (UK, a remake of the 1931 film), 1954 (West Germany, again a remake of the 1931 film), 1964 (U.S., produced by Walt Disney Productions, and 2001 (Germany). There was also a 1952 British television series
which condensed the story in three 35-minute episodes.
Red
Earth Theatre produced the first adaptation for stage in the UK. Their
production of Emil and the Detectives, co-produced with mac (Birmingham),
toured England, September to November 2013. Adapted and directed by Wendy Rouse
and Amanda Wilde, designed by Laura McEwen with creative stage text and
pictograms designed by Dominic Mallin, lighting design by Alexandra Stafford
and choreography by Ian Dolan. The ensemble cast was: John Afzal, Paula James
and Dan Willis with stage management by Katie Bosomworth.
In
December 2013, Carl Miller's adaptation opened in the National Theatre's
main Olivier space, in a production directed by Bijan
Sheibani and designed by Bunny
Christie.
Notes
1.
Neustadt (German for new town or new city) is the name of many towns
in various parts of Germany – however, Kästner does not seem to have meant any
specific real location, but rather depict an archetypal "small town"
contrasting with metropolitan Berlin.
References
·
Article at the Website of Federal
Agency for Civic Education,
quote: Gerhard Lamprechts früher Tonfilm gilt noch immer als die beste Adaption
des beliebten Kinderromans von Erich Kästner.
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